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This method was created for all those who want to start studying the transversal flute in a simple and pleasant way, without having to worry about the thoroughness of the studies traditionally adopted by the conservatories and the music schools. With no complications, the student is led from the first blows until a vast and fascinating repertoire of folk music, such as Brazilian, Italian, Japanese, Israeli and French ones, to quote a few of them, as well as repertoire of some of the masters of the music, such as Bach , Mozart, Vivaldi, Beethoven, Tchaikovsky, among others. The student will feel enthusiastic about the simplicity and efficiency of the technical explanations about the sound emission, the breathing, the care and maintenance of the flute, as well as about the posture, tuning, fingering, scales and music theory. – The exercises are found in an audio CD, carefully developed for a successful evolution.
This method was created to continue the work done in Flauta Fácil published in 2008. The new feature of this volume is the introduction of the third octave until the B flat. In addition, this book presents a repertoire of more advanced level, applying a great variety of dynamics, articulations and, in particular, syncopated rhythms, so characteristic of Brazilian music. There are also, Duos, Trio and Quartets.The book includes a CD play along with 21 Brazilian and foreign compositions. Download Scores and Playbacks.
Celso Woltzenlogel.
Irmãos Vitale Editores.
This may be the most complete flute playing method published to date. The Illustrated Flute Method has been adopted in several countries throughout the world and is uniquely presented in Portuguese, Spanish, French and English simultaneously. It is ideal for beginning students as well as for more advanced players. This book also contains invaluable contributions from César Guerra-Peixe, author of the chapter on melodic studies.
The book, (currently in production of its 6th Edition) contains 36 chapters and 362 pages, covering topics that range from preliminary breathing exercises to tips on instrument repair, including technical studies of scales, different intervals, trills, tremolos, harmonics, multiphonics and a never before released chapter on syncopation written by some of the most renown popular Brazilian musicians. All of this, not to mention that the author has included many duets, trios and quartets by Brazilian composers for your playing enjoyment.
Other works published by Celso Woltzenlogel may be found in specialized music stores or purchase on the Internet through the website Irmãos@vitale.com.br
Arrangements by Alberto Arantes.
A collection of eight great popular Brazilian pieces. Scored for 4 C flutes with optional guitar and string bass as rhythmic background, and easily doubled for flute Choirs. Includes:The girl from Ipanema, Tico-tico no fubá, Asa Branca, Manhã de Carnaval, Aquarela do Brasil, Carinhoso, Odeon and Air from Bachianas Brasileiras no.5 (scored for 6 parts, with optional alto flute or clarinet).
Arrangements by Alberto Arantes, Murilo Barquette, Diana Duarte, Duda and Liduino Pitombeira.
The popularity of Volume I prompted this collection of eight more successful Brazilian pieces. Scored for 4 C flutes with optional guitar and string bass most also have an optional alto flute part. Contents: Primeiro Amor, André de sapato novo, Samba de uma nota só, Luíza, Marilian no frevo, Apanhei-te cavaquinho, Cantigas de roda and Peripécias do Guajara.
This new book edited by Vitale Editors is entirely dedicated to Murilo Moss Barquette, great brazilian flutist and talented author of arrangements that will succeed wherever there is a flute quartet: Wave, Ligia, Conversa de Botequim, Lamentos, Sonoroso, Vou vivendo, Pintinhos no terreiro and Zinha.
Irmãos Vitale Editores.
A Brazilian Pot-pourri of selected themes from Carinhoso, The girl from Ipanema, Duda no frevo, Mulher rendeira and Brasileirinho. All are interlinked with lively imagination and impecable good taste for flute and piano. A wonderful way to close a recital.
Brenno Blauth.
Irmãos Vitale Editores.
Composed in 1958, but then lost for 30 years, this work was completely redone by the author shortly before his death. A complete sonata in 3 movements, this will be a wonderful addition to any program.
Radamés Gnattali.
Irmãos Vitale Editores.
One of many works by Radamés Gnattali, this is the only one for flute and piano that is complete. Composed in 1974 and dedicated to Celso Woltzenlogel, this 3 movements work is not too difficult and would be perfect for intermediate to advanced students.
M. Camargo Guarnieri.
Irmãos Vitale Editores
Composed in 1947 but re-edited and published in 1997,Guarnieri was a great admirer of the flute as well as being a popular Brazilian composer. This work is a rewarding venture for the players.
C. Guerra-Peixe.
Irmãos Vitale Editores
Originally composed for orchestra in 1955, this piece has been transcribed by the composer for either flute and piano, violin or clarinet and piano. This only one movement work is not too difficult. Sounds great also for Piccolo and Piano.
Irmãos Vitale Editores, 1996.
Francisco Mignone intended with this six little pieces devellop the children's interest to study the piano.
Arrangements for Piano.
Irmãos Vitale Editores
The main objective of this work is to offer pianists unfamiliar with pop music a chance to play these arrangements. Most, if not all, published pop songs rarely include a full score for piano part. Figures chords are more usual. This is why Edson Frederico selected some favorite songs from Brazilian and international pop music charts such as Ligia, Anos dourados, Yesterday, Summer 42 and written these arrangements with varying levels of difficult, so that any pianist, whether beginner or expert can enter this marvelous world of pop music.
ESTUDO CRÍTICO-AVALIATIVO DE UM MÉTODO DE FLAUTA, prepared by Celso Woltzenlogel in 1993 under the supervision of Dr. Thereza Penna Firme, was approved and commended by all the members of the Examining Board. It was accepted by the Department of Education and ratified by the Council for Graduate and Research Teaching as a requisite for him to earn his doctorate in Education (Ph.D).
It was conceived to present the first steps on the SAX in an accessible language, making the study happen in a natural way and playful. The first part of the book presents the family of saxophones and the description of the instrument and its parts, in addition to the basic fundamentals of breathing, embouchure and articulation. In the second and main part are the exercises grouped into progressive lessons. At the same time, are introduced elements of musical notation, as required for transmission of the didactic content. At the end, there is a small collection of works, also included on a CD that comes with the method, in order to establish a basic beginner's repertoire
This method was conceived for the initiation to trombone , euphonium and tuba, showing the exercises accompanied by technical and theoretical explanations to facilitate learning, designed for both the collective and the individual school. The positions placed above the notes were written for the trombone in B flat, euphonium in B-flat and the Tuba in B-flat. The exercises for tuba were transcribed for your region (an octave below the Euphonium, at the end of the method, and do not have the theoretical and technical comments). In this case, the tuba player must resort to comments made to the trombone and euphonium. The CD that accompanies the book presents exercises and a series of musical works for the formation of the student's initial repertoire.
This new method by renowned pianist and composer Antonio Adolfo presents, in a modern way, the first steps for piano and keyboard education. Its main characteristic relies on detailed subjects found both in the book and in the play-along CD, which allow the student to listen to the compositions and all other examples with accompaniment, sometimes sophisticated, showing him that one simple melody can be transformed into something much more interesting – much different from the traditional teaching exercises from the past. The presentation of subjects, such as left hand accompaniment with “arcs” formed by the root and fifth of a chord work as a stimulus to the beginner, since the student starts to understand the importance of Harmony as a rich and crucial component of Music.”
Carefully drafted over two years of hard work, this method is intended to guide those interested in the study of the clarinet, from first contact with the instrument. In this, are presented basic fundamentals about embouchure, posture, typing and instrumental technique as well as fundamental elements for music theory and the history of the clarinet. Comes with a CD with exercises and folk works and major national and international composers, in original arrangements specially prepared for execution in playback, making the study extremely pleasurable. Arrangements designed to practice along to make teacher gifts, allowing a playful interaction and functional.
CONCURSO INTERNACIONAL DE CONJUNTOS INSTRUMENTAIS 1972
Live recorded in 1972 at Sala Cecilia Meireles, Rio de Janeiro during the Villa-Lobos International Chamber Music Competition. The winner was the Sexteto do Rio Ensemble.
The works by Villa-Lobos included in this recording are: Choros no. 2 for flute and clarinet (Celso Woltzenlogel and José Botelho); The Jet whistle for flute and cello (Celso Woltzenlogel and Watson Clis); Fantasia Concertante for clarinet, bassoon and piano (José Botelho, Noel Devos and Heitor Alimonda). There is also the Duo for clarinet and bassoon by Cesar Guerra-Peixe, (José Botelho and Noel Devos).
Recorded in 1971 and distributed by CBS. The three works included in this recording represents the greatest compositions from the Baroque: the Trio Sonatas in D minor by Telemann and in C Major by J.S.Bach and the Deuxième Récréation de Musique, Opus 6 by Jean Marie Leclair.
Celso Woltzenlogel, flute; Paolo Nardi, oboe; Antonio Guerra Vicente, cello and Heitor Alimonda, harpsichord.
This second recording was made in 1976 and also distributed by CBS, featuring six great baroque composers: Naudot, Trio III in C Major; J.B. Boismortier, Trio Sonata in A minor; Haendel, Concerto in D Major; J.B. Loeillet, Trio Sonata Opus II no. 2 in F Major; M. Correte, Sonata Opus 20 no. 2 and Albinoni, Trio Sonata Opus I no. 10.
Celso Woltzenlogel, flute; Kleber Veiga, oboe; Noel Devos, bassoon; Watson Clis, cello and Heitor Alimonda, harpsichord.
DATA[Live recorded at the Sala Cecilia Meireles, Rio de Janeiro in 1971 during the Villa-Lobos Festival.
The works by Villa-Lobos included in this recording are: Choros no. 2 for flute and clarinet (Celso Woltzenlogel and José Botelho); Choros no. 4 for three French Horns and Trombone (Ary da Silva, Geraldo Mello, Zdenek Svab and Francisco Moura dos Reis); Quatuor, 1928 for flute, oboe, clarinet and bassoon (Celso Woltzenlogel, Paolo Nardi, José Botelho and Noel Devos); Quatuor for strings no.15 (Stefan Tero and Ubaldo Crazioli, violins; Raul Martinez Echais, alto and Angel Ceruti, cello.
Recorded in 1992 and distributed by Abril Music this CD feature the greatest hits of the Brazilian Popular Music arranged by Alberto Arantes, Mário Adnet, Murilo Barquette and Pauxy Gentil Nunes.
Surfboard, Aquarela do Brasil, The girl from Ipanema, Tico-tico no fubá, Primeiro Amor, Carinhoso, Only one note samba, Odeon, Brasileirinho, Asa Branca, Bachianas Brasileiras no. 5, Loro and Manhã de Carnaval.
Flautistas do Rio: Celso Woltzenlogel, Eugênio Ranevsky, Kátia Pierre da Costa, Murilo Barquette, flutes; Ricardo Cândido, bass; Mário Adnet, guitar, Marcos Suzano, percussion.
Convidados especiais: Mário Adnet, violão; Marcos Suzano, percussão; Helder Teixeira e Paulo Guimarães, flautas.
The works included in these four CDs were gathered from old live recordings made by Frank Justo Acker, in the Sala Cecília Meireles – Rio de Janeiro, during the recitals of the ensemble Ars Barroca, in the seventies.
This was the golden period of this group, when they performed more than 200 concerts. In these, major baroque works were presented, including Brazilian premières of pieces by Bach, Telemann, Haendel, Quantz, Leclair, Cima, Couperin, Boismortier, Hotteterre, Blavet, Gallupi, Vivaldi, among many others.
The main purpose of these CDs - which have no commercial value and were made solely for distribution among friends - is to register an important phase in the life of its members during this period.
Celso Woltzenlogel, flute, Paolo Nardi, oboe; Antonio Guerra Vicente, cello; Noel Devos, bassoon and Heitor Alimonda, harpsichord.
The works included in these four CDs were gathered from old live recordings made by Frank Justo Acker, in the Sala Cecília Meireles – Rio de Janeiro, during the recitals of the ensemble Ars Barroca, in the seventies.
This was the golden period of this group, when they performed more than 200 concerts. In these, major baroque works were presented, including Brazilian premières of pieces by Bach, Telemann, Haendel, Quantz, Leclair, Cima, Couperin, Boismortier, Hotteterre, Blavet, Gallupi, Vivaldi, among many others.
The main purpose of these CDs - which have no commercial value and were made solely for distribution among friends - is to register an important phase in the life of its members during this period.
Celso Woltzenlogel, flute, Paolo Nardi, oboe; Antonio Guerra Vicente, cello; Noel Devos, bassoon and Heitor Alimonda, harpsichord.
The works included in these four CDs were gathered from old live recordings made by Frank Justo Acker, in the Sala Cecília Meireles – Rio de Janeiro, during the recitals of the ensemble Ars Barroca, in the seventies.
This was the golden period of this group, when they performed more than 200 concerts. In these, major baroque works were presented, including Brazilian premières of pieces by Bach, Telemann, Haendel, Quantz, Leclair, Cima, Couperin, Boismortier, Hotteterre, Blavet, Gallupi, Vivaldi, among many others.
The main purpose of these CDs - which have no commercial value and were made solely for distribution among friends - is to register an important phase in the life of its members during this period.
Celso Woltzenlogel, flute, Paolo Nardi, oboe; Antonio Guerra Vicente, cello; Noel Devos, bassoon and Heitor Alimonda, harpsichord.
The works included in these four CDs were gathered from old live recordings made by Frank Justo Acker, in the Sala Cecília Meireles – Rio de Janeiro, during the recitals of the ensemble Ars Barroca, in the seventies.
This was the golden period of this group, when they performed more than 200 concerts. In these, major baroque works were presented, including Brazilian premières of pieces by Bach, Telemann, Haendel, Quantz, Leclair, Cima, Couperin, Boismortier, Hotteterre, Blavet, Gallupi, Vivaldi, among many others.
The main purpose of these CDs - which have no commercial value and were made solely for distribution among friends - is to register an important phase in the life of its members during this period.
Celso Woltzenlogel, flute, Paolo Nardi, oboe; Antonio Guerra Vicente, cello; Noel Devos, bassoon and Heitor Alimonda, harpsichord.
The works included in these three CDs were gathered from old live recordings made by Frank Justo Acker, in the Sala Cecília Meireles – Rio de Janeiro, during the recitals of the ensemble SEXTETO DO RIO, in the seventies.
This was the golden period of this group, when they performed more than a hundred concerts. In these, they presented some of the most important Classical, Romantic and Contemporary compositions for sextet. Major composers were represented, including Beethoven, Mozart, Milhaud, Gordon Jacob, Poulenc, W. Riegger, H. Schroeder, as well as the Brazilian premières of pieces by Brazilian authors dedicated to the sextet, including Francisco Mignone, Radamés Gnattali, Guerra-Peixe, Ronaldo Miranda, Ernst Widmer, among many others.
The main purpose of these CDs - which have no commercial value and were made solely for distribution among friends - is to register an important phase in the life of its members during this period.
Celso Woltzenlogel, flute; Paolo Nardi and Kleber Veiga, oboes; José Botelho, clarinet; Noel Devos, bassoon; Zdenek Svab, horn and Heitor Alimonda, piano.
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The works included in these three CDs were gathered from old live recordings made by Frank Justo Acker, in the Sala Cecília Meireles – Rio de Janeiro, during the recitals of the ensemble SEXTETO DO RIO, in the seventies.
This was the golden period of this group, when they performed more than a hundred concerts. In these, they presented some of the most important Classical, Romantic and Contemporary compositions for sextet. Major composers were represented, including Beethoven, Mozart, Milhaud, Gordon Jacob, Poulenc, W. Riegger, H. Schroeder, as well as the Brazilian premières of pieces by Brazilian authors dedicated to the sextet, including Francisco Mignone, Radamés Gnattali, Guerra-Peixe, Ronaldo Miranda, Ernst Widmer, among many others.
The main purpose of these CDs - which have no commercial value and were made solely for distribution among friends - is to register an important phase in the life of its members during this period.
Celso Woltzenlogel, flute; Paolo Nardi and Kleber Veiga, oboes; José Botelho, clarinet; Noel Devos, bassoon; Zdenek Svab, horn and Heitor Alimonda, piano.
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The works included in these three CDs were gathered from old live recordings made by Frank Justo Acker, in the Sala Cecília Meireles – Rio de Janeiro, during the recitals of the ensemble SEXTETO DO RIO, in the seventies.
This was the golden period of this group, when they performed more than a hundred concerts. In these, they presented some of the most important Classical, Romantic and Contemporary compositions for sextet. Major composers were represented, including Beethoven, Mozart, Milhaud, Gordon Jacob, Poulenc, W. Riegger, H. Schroeder, as well as the Brazilian premières of pieces by Brazilian authors dedicated to the sextet, including Francisco Mignone, Radamés Gnattali, Guerra-Peixe, Ronaldo Miranda, Ernst Widmer, among many others.
The main purpose of these CDs - which have no commercial value and were made solely for distribution among friends - is to register an important phase in the life of its members during this period.
Celso Woltzenlogel, flute; Paolo Nardi and Kleber Veiga, oboes; José Botelho, clarinet; Noel Devos, bassoon; Zdenek Svab, horn and Heitor Alimonda, piano.
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The works included in these CDs were gathered from old live recordings and show the versatility of Celso Woltzenlogel.
The repertoire includes the great suite for flute and piano jazz trio composed by Claude Bolling and performed for the first time in Brazil in the Maison de France-RJ, in 1982, as well as the famous opera themes from the Rede Globo TV channel and the participation in innumerous recordings with famous artists of the Brazilian popular music. Besides that the CDs include some Classical compositions for chamber music, for flute and orchestra as well as for flute and piano. Major Brazilian composers were represented, including Radamés Gnattali, Osvaldo Lacerda, Liduino Pitombeira, Villa-Lobos, Jayme Ovalle, Brenno Blauth, Guerra-Peixe, among many others.
The works included in these CDs were gathered from old live recordings and show the versatility of Celso Woltzenlogel.
The repertoire includes the great suite for flute and piano jazz trio composed by Claude Bolling and performed for the first time in Brazil in the Maison de France-RJ, in 1982, as well as the famous opera themes from the Rede Globo TV channel and the participation in innumerous recordings with famous artists of the Brazilian popular music. Besides that the CDs include some Classical compositions for chamber music, for flute and orchestra as well as for flute and piano. Major Brazilian composers were represented, including Radamés Gnattali, Osvaldo Lacerda, Liduino Pitombeira, Villa-Lobos, Jayme Ovalle, Brenno Blauth, Guerra-Peixe, among many others.
The works included in these CDs were gathered from old live recordings and show the versatility of Celso Woltzenlogel.
The repertoire includes the great suite for flute and piano jazz trio composed by Claude Bolling and performed for the first time in Brazil in the Maison de France-RJ, in 1982, as well as the famous opera themes from the Rede Globo TV channel and the participation in innumerous recordings with famous artists of the Brazilian popular music. Besides that the CDs include some Classical compositions for chamber music, for flute and orchestra as well as for flute and piano. Major Brazilian composers were represented, including Radamés Gnattali, Osvaldo Lacerda, Liduino Pitombeira, Villa-Lobos, Jayme Ovalle, Brenno Blauth, Guerra-Peixe, among many others.
The works included in these CDs were gathered from old live recordings and show the versatility of Celso Woltzenlogel.
The repertoire includes the great suite for flute and piano jazz trio composed by Claude Bolling and performed for the first time in Brazil in the Maison de France-RJ, in 1982, as well as the famous opera themes from the Rede Globo TV channel and the participation in innumerous recordings with famous artists of the Brazilian popular music. Besides that the CDs include some Classical compositions for chamber music, for flute and orchestra as well as for flute and piano. Major Brazilian composers were represented, including Radamés Gnattali, Osvaldo Lacerda, Liduino Pitombeira, Villa-Lobos, Jayme Ovalle, Brenno Blauth, Guerra-Peixe, among many others.
The works included in these CDs were gathered from old live recordings and show the versatility of Celso Woltzenlogel.
The repertoire includes the great suite for flute and piano jazz trio composed by Claude Bolling and performed for the first time in Brazil in the Maison de France-RJ, in 1982, as well as the famous opera themes from the Rede Globo TV channel and the participation in innumerous recordings with famous artists of the Brazilian popular music. Besides that the CDs include some Classical compositions for chamber music, for flute and orchestra as well as for flute and piano. Major Brazilian composers were represented, including Radamés Gnattali, Osvaldo Lacerda, Liduino Pitombeira, Villa-Lobos, Jayme Ovalle, Brenno Blauth, Guerra-Peixe, among many others.
The works included in these CDs were gathered from old live recordings and show the versatility of Celso Woltzenlogel.
The repertoire includes the great suite for flute and piano jazz trio composed by Claude Bolling and performed for the first time in Brazil in the Maison de France-RJ, in 1982, as well as the famous opera themes from the Rede Globo TV channel and the participation in innumerous recordings with famous artists of the Brazilian popular music. Besides that the CDs include some Classical compositions for chamber music, for flute and orchestra as well as for flute and piano. Major Brazilian composers were represented, including Radamés Gnattali, Osvaldo Lacerda, Liduino Pitombeira, Villa-Lobos, Jayme Ovalle, Brenno Blauth, Guerra-Peixe, among many others.
The works included in these CDs were gathered from old live recordings and show the versatility of Celso Woltzenlogel.
The repertoire includes the great suite for flute and piano jazz trio composed by Claude Bolling and performed for the first time in Brazil in the Maison de France-RJ, in 1982, as well as the famous opera themes from the Rede Globo TV channel and the participation in innumerous recordings with famous artists of the Brazilian popular music. Besides that the CDs include some Classical compositions for chamber music, for flute and orchestra as well as for flute and piano. Major Brazilian composers were represented, including Radamés Gnattali, Osvaldo Lacerda, Liduino Pitombeira, Villa-Lobos, Jayme Ovalle, Brenno Blauth, Guerra-Peixe, among many others.